Shiro Tsujimura

Steve Booton Ceramics just posted a great video of Shiro Tsujimura.


Here is a man who boldly works on his own terms. With his own two hands he built his own compound, not just a house, but 4 buildings, one of which is purposed as a place to view the moon. It says something about Shiro that he spent the time and energy to build something dedicated to watching the moon and I dont know who wouldnt envy having one of their own.

As far as getting along in the art world, he does not enter any competitions and says that the critics can go to hell. Bravo! It’s not about pleasing the critics. With any type of work it is best to do the work for yourself first, to the best of your abilities, and then see what the world thinks.

It is unusual that he was not a Deshi  (apprentice) under any Sensei (master) during the time he was learning. I myself felt cheated at a younger age when I learned of this system of learning. However I quickly learned that the entire world is full of masters at anything you care to learn about. Shiro became a potter at the age of 22 and had his first solo show by 30 which was hosted at his own residence.  His knowledge traverses the range of styles that Japan is known for: Shigaraki, Iga, Shino, Kohiki (Beautiful Style), Ido, Oku-Korai, Kuro Oribe (Black Oribe) and Setoguro.

His black chawan in any style are very impressive and for one of his solo shows it was said that he made 500 teabowls in 3 months. In the documentary above he says that on a busy day he can throw 800 tea bowls or 1000 teacups. Because of the wide range of work he is producing, technical skill and probably in part due to his nonchalant demeanor, he has gained fame. There is more information on Mr. Tsujimura here at Artsy & E-Yakimono.

Here are some of his works.

(Special thanks to http://artsy.net for the use of these images. There are many more wonderful artists and works to view on their site)

shiro-tsujimura-3
Shiro Tsujimura – Earthenware, 2000-2014
shiro-tsujimura-2
Shiro Tsujimura – ‘MARUTSUBO’ Round Vase, Kohiki Type, 2014
Shiro Tsujimura - Earthenware, 2000-2014
Shiro Tsujimura – Earthenware, 2000-2014

 

 

On Establishing a Rhythm

Art takes rhythm. Ceramics is no exception and probably needs it moreso than the majority of other art forms. It is especially slow paced and the process from beginning to end to create a piece can be weeks to months depending on firing schedules. Not to mention that it can take years before you truly master your materials. Testing glazes alone will take me many months to complete.

The rhythm with ceramics tends to go at “life pace”. Most of us hold down full time jobs, have families and other obligations to attend to before working on our own projects. It seems that it falls into a slow seasonal rhythm spanning years and this is something that I do not mind.

Winter is spent mostly indoors for me so I tend to work on pinched vessels and things that I can do away from the wheel. Spring is a time for re-invigoration, cleaning the mental  clutter and getting back on the wheel. Summer is hot and with that comes the long days and trying to tighten up with routines. Fall is a magical time where I feel the most creative and bold. We’ll see how it goes over the years and how it gets more integrated with life until the goal of life being pottery and pottery being life comes about.

Here is a nice video on Establishing Rhythm with Dionne Swift. While not specifically a pottery video the core concepts span across mediums.

Establishing a Rhythm from R&A Collaborations on Vimeo.