Procrastination comes to an end…

Procrastination comes in a many forms – gotta wash the dishes, I’m shot from work, should do the laundry, clean the yard, relax. It’s productive procrastination sometimes. But I’ve finally got 5 glaze test going with the kiln at 700F and falling. Can’t wait to see if I’m on the right track or if more tweaking is necessary.


Moss ash, Temmoku with moss ash, my marshmallow white with moss ash, standard wood ash, a ru Celadon with some Zircopax. Up front is internally glazed with celadon and externally with moss ash. Bake until bubbly!

Here is the list for anyone interested in the recipes (ru is incomplete, I’ll update full recipe later)


My workspace is in complete disarray  but the shelves are up and I now have a space to mix and glaze and some spare room to house greenware. There are three bags of recyclables being collected for another art project for a friend and you don’t want to see the rest of the place! (There’s a Christmas tree out of frame! Etc…)

Tomorrow I’m meeting up with a few fellow potters to do the math on the new Anagama kiln which hopefully will be built and operational before this time next year. Something similar to this.


Single chamber, smallish but perfectly workable. I mostly do smaller pottery, yunomi a and chawan and the such, so no problems there! We’ll be able to stack high and deep. In fact Jay has no intention of fully relying on this kiln as his livelihood comes from the controlled firings he gets in his gas kiln. But man what fun to see what the fire brings to the collaboration! All 3 of us work within our own styles and that is a kind of symbiotic / synergetic thing! I love that I can get ideas and input from various sources and filter it through my own sense of taste.  We might already have 1000 bricks so it shouldn’t be too much more expensive to get the rest of the materials.

Myself, I have a cone 8 electric kiln which I really have no desire to peruse firing in that manner except for bisque and the ocasional glaze test. I’m prepared for the inevitable frustration of having a priced piece of work come out different from what I envision. Along with that should come some happy accidents and having my physical input into the process is something that I highly desire. Kind of like shooting film and thendeveloping it yourself. It’s a beginning to end process. It is a collaboration after all.

Back to being excited and motivated thanks to getting my diet and supplements in order. Some medications just take it all out of you. So goes life.

I’m also working on a list of decoration techniques (other than form based). Mostly to just solidify different techniques in my brain so I can compliment the forms I make. Probably hundreds more of these to come, just getting started.


So my day pretty much looks like this when I’m able to focus on ceramics. Being a potter with a 45 hour a week side gig at a fortune 100 company is sometimes full of challenges, both logistically and motivationally.


So there you have it! My Fourth of July update. No red white and blue pots, but some gold motivation to keep on pushing. It just takes time to get any better and you got to put in the work. Same goes for anything. Life itself. You get out of it what you put in!

Testing Results

I’m very happy with the test results. Tweaking these recipes in my cone 8 kiln so that I can get as close to possible before taking up precious room in the big gas fired cone 10 reduction kiln. All of these recipes are based on the Leach 40 – 30 – 20 – 10 recipe method which so far seems very stable. Getting the specific gravity dialed in is important.

Testing rolls right along

So I’ve got all the chemicals I need to make a vast amount of glazes in my simple palate and color range. Testing to cone 8 in my electric kiln so I can tweak it as close as I can before putting it into the big gas fired kiln at cone 10.

  • Zircopax white over temmoku
  • White over Celadon
  • Temmoku over Celedon with a dip into the red iron oxide (FE2O3) as a differentiator test
  • Clear glaze by itself
  • Zircopax white by itself.

Im really excited about these simple glaze combinations. Along with red wild clay slip from the lake and black slip that goes to cone 10 I have a wide range of decorating possibilities to play with.

Previous Celadon glaze tests with incrementing FE2O3 from 2% to 12%


Testing the specific gravity of the glaze with hydrometer.


The only thing I may want to do different is to get more flux into the white glaze to have it run, almost like a Nuka style glaze over Temmoku.

John Britt’s Complete guide to High Fire Glazes has enough information to keep me busy for many years! Big thanks to Jay Benzel of Benzel Pottery for loaning it out to me.

Another thing I was working on was pulling technique and made a nice delicate serving spoon. Beautiful right?!

Not anymore! Haha! The spoon is just a spoon.  That’ll learn me to put stuff on the counter!