My Friend Greg from Schulz Pottery, working out of Canton, GA, is doing some amazing sgraffito work! This is where the work is dipped into one or more alternate colors of slip and the design is literally scratched and carved into the surface. This creates texture, either subtle or pronounced. Keep in mind this is all unfired greenware. It takes over 2 hours or more to create these designs plus the time it takes to throw and form each vessel. I can’t wait to see them when they are fresh out of the kiln!
Procrastination comes to an end…
Procrastination comes in a many forms – gotta wash the dishes, I’m shot from work, should do the laundry, clean the yard, relax. It’s productive procrastination sometimes. But I’ve finally got 5 glaze test going with the kiln at 700F and falling. Can’t wait to see if I’m on the right track or if more tweaking is necessary.
Moss ash, Temmoku with moss ash, my marshmallow white with moss ash, standard wood ash, a ru Celadon with some Zircopax. Up front is internally glazed with celadon and externally with moss ash. Bake until bubbly!
Here is the list for anyone interested in the recipes (ru is incomplete, I’ll update full recipe later)
My workspace is in complete disarray but the shelves are up and I now have a space to mix and glaze and some spare room to house greenware. There are three bags of recyclables being collected for another art project for a friend and you don’t want to see the rest of the place! (There’s a Christmas tree out of frame! Etc…)
Tomorrow I’m meeting up with a few fellow potters to do the math on the new Anagama kiln which hopefully will be built and operational before this time next year. Something similar to this.
Single chamber, smallish but perfectly workable. I mostly do smaller pottery, yunomi a and chawan and the such, so no problems there! We’ll be able to stack high and deep. In fact Jay has no intention of fully relying on this kiln as his livelihood comes from the controlled firings he gets in his gas kiln. But man what fun to see what the fire brings to the collaboration! All 3 of us work within our own styles and that is a kind of symbiotic / synergetic thing! I love that I can get ideas and input from various sources and filter it through my own sense of taste. We might already have 1000 bricks so it shouldn’t be too much more expensive to get the rest of the materials.
Myself, I have a cone 8 electric kiln which I really have no desire to peruse firing in that manner except for bisque and the ocasional glaze test. I’m prepared for the inevitable frustration of having a priced piece of work come out different from what I envision. Along with that should come some happy accidents and having my physical input into the process is something that I highly desire. Kind of like shooting film and thendeveloping it yourself. It’s a beginning to end process. It is a collaboration after all.
Back to being excited and motivated thanks to getting my diet and supplements in order. Some medications just take it all out of you. So goes life.
I’m also working on a list of decoration techniques (other than form based). Mostly to just solidify different techniques in my brain so I can compliment the forms I make. Probably hundreds more of these to come, just getting started.
So my day pretty much looks like this when I’m able to focus on ceramics. Being a potter with a 45 hour a week side gig at a fortune 100 company is sometimes full of challenges, both logistically and motivationally.
So there you have it! My Fourth of July update. No red white and blue pots, but some gold motivation to keep on pushing. It just takes time to get any better and you got to put in the work. Same goes for anything. Life itself. You get out of it what you put in!
Home Dug Clay
Well it took a while but the clay is processed and needs a good wedging. In the second image you can see my terrible attempt at what will be a small (and I mean very small) test raku kiln built of soft brick. I intend to simply let the material itself and the form be the focus of what I create from this using a white slip and a clear or clear crackle glaze. I hope it works out without much tweaking needed.