Shiro Tsujimura

Steve Booton Ceramics just posted a great video of Shiro Tsujimura.


Here is a man who boldly works on his own terms. With his own two hands he built his own compound, not just a house, but 4 buildings, one of which is purposed as a place to view the moon. It says something about Shiro that he spent the time and energy to build something dedicated to watching the moon and I dont know who wouldnt envy having one of their own.

As far as getting along in the art world, he does not enter any competitions and says that the critics can go to hell. Bravo! It’s not about pleasing the critics. With any type of work it is best to do the work for yourself first, to the best of your abilities, and then see what the world thinks.

It is unusual that he was not a Deshi  (apprentice) under any Sensei (master) during the time he was learning. I myself felt cheated at a younger age when I learned of this system of learning. However I quickly learned that the entire world is full of masters at anything you care to learn about. Shiro became a potter at the age of 22 and had his first solo show by 30 which was hosted at his own residence.  His knowledge traverses the range of styles that Japan is known for: Shigaraki, Iga, Shino, Kohiki (Beautiful Style), Ido, Oku-Korai, Kuro Oribe (Black Oribe) and Setoguro.

His black chawan in any style are very impressive and for one of his solo shows it was said that he made 500 teabowls in 3 months. In the documentary above he says that on a busy day he can throw 800 tea bowls or 1000 teacups. Because of the wide range of work he is producing, technical skill and probably in part due to his nonchalant demeanor, he has gained fame. There is more information on Mr. Tsujimura here at Artsy & E-Yakimono.

Here are some of his works.

(Special thanks to http://artsy.net for the use of these images. There are many more wonderful artists and works to view on their site)

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Shiro Tsujimura – Earthenware, 2000-2014
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Shiro Tsujimura – ‘MARUTSUBO’ Round Vase, Kohiki Type, 2014
Shiro Tsujimura - Earthenware, 2000-2014
Shiro Tsujimura – Earthenware, 2000-2014

 

 

Understanding Core Materials

Years and years ago I got up the courage to develop my own black and white film after reading an article that gave me the very basics in a way that I could understand. That understanding only took place after researching over the period of many months.

I’m experiencing the same thing with glazing. After seeing the results of cone 10 glazing and seeing the depth that it creates I’m ready to take it on.

Cone 6 in oxidation just pales in comparison. It looks as if there is a film of glass on top of some clay. Sure some of it looks good but cone 10 just has something that makes it sing. It’s as if the glaze is a part of the clay itself.

This article from Ceramic Arts Daily, along with John Britt’s excellent books on mid range and high fire glazes just pushed the right buttons for me and I’m ready to go.

rawmat_main_500

I had previously bought chemicals for some cone 6 testing so I have a lot of 2 gallon buckets with a lot of the chemicals I need but cone 10 calls for some specifics. So I’m off to my supplier in a few days to pick up the rest of what I need.

I’ve made up some small pinch pots to test without fear of melting stuff to the kiln shelf. These will also be to test the creation of a black englobe to go along with the buff white clay body I’m using. I want to get 2 complimentary glazes, and with the color of the at body and a black englobe I will have a decent start for decorating and making functional wares with my OWN glazes.

I’m very excited to get some good reliable glazes:

  • Temmoku
  • Celedon
  • Oribe
  • Cream White
  • Nuka

🔥🔥 I’m fired up! 🔥🔥

A visit to The Mason-Scharfenstein Museum of Art

In researching tea ceremony for a client I came across a ceramics show held at the Mason-Scharfenstein Museum of Art at Piedmont College. It is a beautiful museum and the curators are friendly and knowledgeable. I was asked by some friends to make a few pictures so I decided to blog it.

JAPANESE POTTERY

The rising generation from traditional Japanese kilns


The installation runs through the end of January. A special reception featuring a gallery talk by Ohi Toshio, one of the artists included in the show, will be held from 5–7 p.m., Jan. 22., 2015. He is an eleventh generation Ohi Master.

Ohi Toshio has even given a Ted Talk

Chronological List of Masters

Genenation Master’s name Other name
First Ohi-Chozaemon Hodoan 1630-1712
Second Ohi-Chozaemon Hodoan 1686-1747
Third Ohi-Chozaemon Hodoan.Kanbei 1728-1802
Fourth Ohi-Chozaemon Doan.Kanbei 1758-1839
Fifth Ohi-Chozaemon Hodoan.Kanbei 1799-1856
Sixth Ohi-Chozaemon Sakutaro 1828-1856
Seventh Ohi-Chozaemon Michitada 1833-1896
Eighth Ohi-Chozaemon Yuigensai.Sosyun 1851-1927
Ninth Ohi-Chozaemon Todosai 1901-1986
Tenth Ohi-Chozaemon Toshiro 1927-
Ohi-Toshio 1958-