… and forget everything. One tiny bit at a time. First was the best so not a total loss but man! Little by little until I knew nothing. And not in the good way where you are in the zone and just do it, more like my brain just farted. LoL! It’s a new wheel so I’ll be at it again and again until it does my bidding. I guess it’s best to step away for the night though.
Fail number 2, time to build different vessel with new clay. My kiln at cone 5 fires to cone 4 temp so logic says cone 6 should fire to cone 5 temp eh? Nope six on the dot. No worries though. I’ll make something even better 🙂
This clay, which I believe contains manganese, needs to not be over fired and needs a loooong bisque to burn off any gasses and other things that can cause bloating. Which I did. A 13 hour slow bisque to cone 05. But in the end it blistered anyways because of over firing.
Ok so this will be a short post but necessary for me to keep the ideas coming and stored away for future reference.
So in the past month I’ve learned more about ceramics and pottery through Ohi Toshio and Jay Benzel than in the past 2 years combined. Youtube and friends on Facebook are nice for ideas and can steer you in a general direction but there is no substitute for hands on watching an 11th generation master at work or working hands on with someone who has thrown over 100,000 pots in the past two decades or so.
I worked with Jay from Benzel Pottery yesterday and made a few Yunomi and some mugs. Very excited that my throwing skills are improving. I have shied away from the wheel so that I didn’t pick up any bad habits and just been doing pinched vessels and slab construction and just playing around with some ideas so that I can stay in it with the clay.
We did some basic decoration with porcelain slip and it got me thinking about Calligraphy and the pens and brushes that they use. Straight up and down with a calligraphy pen and you get a straight narrow line. Then side to side gives you a thick line. Now add in the variables of curls and motion and you get the graceful transformation of thick and thin. This is not the best example in the world but it demonstrates the point.
So I want to go and get some finger paints. ALWAYS back to the basics. Back to childhood where life was simple and direct and the true spirit of the creative desire lives without complication. Closer to the “source”. Which in my mind, means pure potential.
So one finger can go in any direction leaving a single line, thicker or thinner. Introduce another finger and you have another dynamic to deal with how far the fingers are apart. Introduce a third and a fourth or a fifth and the variables grow considerably. Now, I’m not looking for “too much”. Never, ever too much. Always “just enough” is where I want to be. As much done as needs doing and no more.
This leads into a conversation with my wife about a collection of pottery being like an album. A cohesive whole. I completely understand that and I want to focus on a few standard shapes and designs of my own so that I can repeatedly throw them and have a cohesive collection. This in addition to experimentation of course.
This is something that you can never complete. You can never truly be done. In a conversation I had with Jay last night. “Why would you want to get into something you’d never finish?” A very hard question indeed and one that warrants its own post I guess. I’ll work on that sometime 😉