My Friend Greg from Schulz Pottery, working out of Canton, GA, is doing some amazing sgraffito work! This is where the work is dipped into one or more alternate colors of slip and the design is literally scratched and carved into the surface. This creates texture, either subtle or pronounced. Keep in mind this is all unfired greenware. It takes over 2 hours or more to create these designs plus the time it takes to throw and form each vessel. I can’t wait to see them when they are fresh out of the kiln!
A new porcelain bowl. I’m experimenting with a new kodai (foot ring) form, that gently dips downward towards the bottom creating a concave section and a foot that tapers to a softened point. It has taken longer and presented new challenges with this bowl because I shaped the form to completion outwardly. I cannot carve the outside further. I think the end result is worth the technical “challenge” (if you can call it that). I guess it’s less a challenge than just an order of operations thing. You just complete the outside first and I’m used to leaving the outside mostly unfinished and forming for the interior.
Very excited about this yunomi! I threw it on the kickwheel and I always throw a bit thick which is just natural for me. In throwing and trimming it forces you think about how the inside of the vessel is formed and how it will affect the balance and the overall shape.
Use What Does Not Exist
Thirty spokes are united around the hub of a wheel, but the usefulness of the wheel depends on the space where nothing exists.
Clay is molded into a vessel, but the usefulness of the vessel depends on the space where nothing exists.
Doors and windows are cut out of the walls of a house, and the usefulness of the house depends on the space where nothing exists.
Therefore take advantage of what exists, and use what does not exist.