I’m very happy with the test results. Tweaking these recipes in my cone 8 kiln so that I can get as close to possible before taking up precious room in the big gas fired cone 10 reduction kiln. All of these recipes are based on the Leach 40 – 30 – 20 – 10 recipe method which so far seems very stable. Getting the specific gravity dialed in is important.
So I’ve got all the chemicals I need to make a vast amount of glazes in my simple palate and color range. Testing to cone 8 in my electric kiln so I can tweak it as close as I can before putting it into the big gas fired kiln at cone 10.
- Zircopax white over temmoku
- White over Celadon
- Temmoku over Celedon with a dip into the red iron oxide (FE2O3) as a differentiator test
- Clear glaze by itself
- Zircopax white by itself.
Im really excited about these simple glaze combinations. Along with red wild clay slip from the lake and black slip that goes to cone 10 I have a wide range of decorating possibilities to play with.
Previous Celadon glaze tests with incrementing FE2O3 from 2% to 12%
Testing the specific gravity of the glaze with hydrometer.
John Britt’s Complete guide to High Fire Glazes has enough information to keep me busy for many years! Big thanks to Jay Benzel of Benzel Pottery for loaning it out to me.
Another thing I was working on was pulling technique and made a nice delicate serving spoon. Beautiful right?!
So excited! So when it rains, it pours. After visiting the Mason-Scharfenstein Museum of Art and viewing the Japanese Pottery Exhibit currently on display I made a few connections and found out that Ohi Toshio not only will be giving a lecture at the end of the exhibit on Jan 22nd at 5pm but also teaching a class on the 21st during the day of the 22nd as well. The first day will be working the clay and the second day will be some firings.
Promo Flyer – Toshio Ohi Workshop
Just got into a class with Jay Benzel to help me get my skills up to level! I went in and bought a tumbler (the southern term for yunomi haha) and recognized his Asian influences. I emailed him last night. He gave me a ring this morning and we chatted for a while. He started throwing out the names that have influenced me and sort of feeling me out: Phil Rogers, Shoji Hamada, Bernard Leach and mentioned his preference to local materials. I was just thinking the same things about being true to your local materials and letting the beauty of your direct geographical influences come through.
One of Jay’s works